The latest project is a spin-off from the nearly-finished book, nay encyclopaedia, about film and cinema in Brighton & Hove since 1896. Planning actually began last autumn but has been picking up speed over the past couple of weeks. The best way to sum it up is to post the first press release, which has still to go out to the press, so you get to read it here first.
MADE IN BRIGHTON FILM FESTIVAL
A celebration of more than a century of local film-making
Brighton & Hove’s long association with film will be celebrated during this year’s Brighton Festival Fringe. Brighton was one of the first places in the world where films were made, starting in 1896, little more than a few weeks after the wonders of moving pictures were first witnessed by astonished audiences.
There have been numerous film festivals in the city before but none devoted to the many films made in Brighton & Hove. The Made in Brighton Film Festival, part of the Fringe at this year’s Brighton Festival will assemble around 50 films ranging from the very earliest silents (Scene on the West Pier from 1897), through archive documentaries to recent low-budget independent features and short films. The festival, to be held at the Old Courtroom in Church Street, Brighton (opposite The Dome), runs from 1-21 May.
Among the films lined up for the festival are several feature films from the 1950s and 1960s. Lady Godiva Rides Again (1951) is a comedy by Frank Launder and Sidney Gilliatt about rigged beauty contests that stands comparison with the Ealing comedies of the period and includes scenes in the Regent ballroom, in Saltdean and up Albion Hill. Much British film-making was arguably not at its finest then but the selections are very much of their time. The Gelignite Gang (1954) is a crime story with scenes in Kemp Town and Hove. Interior scenes were shot at Brighton Film Studios in St Nicholas Road, as they were for The Battle of the V1 (1958), in which Shoreham beach, gasworks and airport are turned into the Nazi rocket site at Peenemunde; the resistance headquarters are in the Rothbury cinema in Portslade.
‘Part of the fun of watching these films is spotting the locations,’ says media historian David Fisher, the festival’s organiser. ‘A few of the places have disappeared but many are unchanged—some even more than a hundred years later.’ Locations from Shoreham to Rottingdean, from the West Pier to the downs will be seen on screen.
From the 1960s comes the underrated Smokescreen (1964), with a stunning opening sequence that leads into an intriguing story of insurance fraud. Be My Guest (1965) is a product of the swinging sixties, with David Hemmings and Steve Marriott (later of the Small Faces) playing the leads in a musical that features performances by the Nashville Teens, Jerry Lee Lewis and, yes, Slash Wildly and the Cutthroats. Another side of the swinging sixties is on show in the films of Brighton-born Pete Walker, such as Strip Poker (aka The Big Switch, 1969)—‘not sixties Georgy Girl,’ as he himself put it, ‘this was sixties naff.’ Nonetheless, the climax on a snowy West Pier is a classic B-feature moment.
If Brighton & Hove were used in those earlier times by visiting productions, in the new century the city has developed a thriving, if half-hidden film culture of its own. The festival will be screening four feature-length works by local film-makers, typically made for less money than the cost of the coffees on ‘major motion pictures’, although cheapness rarely shows now in the way it did 50 years ago.
Ross Shepherd’s Heathen (2009) is a stylish psychological mystery that uses local settings to great effect. In Ambleton Delight (2009) a town is divided over plans to build a motorway across the nearby downs. It won director Daniel Parkes the award for Best Feature Film at the British Independent Film Festival 2010. Mark Jay’s Dolphins (2007) is an action romance set among the boy racers and the local indie music scene. Richard III (2005) is indeed Shakespeare’s play but is excitingly transposed by director Maximilian Day from the Plantagenet court to the gang world of Brighton’s Whitehawk estate.
As well as these feature films the festival will include a wide variety of short films from the very earliest times to archive documentaries and recent independent short fiction films. The festival will also include talks and discussions about aspects of making films, featuring directors and actors, as well as experts in funding and distribution.
Watch for regular reports about the development of the festival.